i
[infestation altars]
my limbs sprout worried leaves
i remember
no reason a new drug
swamp jerks with sociopaths
someone
je ne suis ageless
longing go
without saying from my neck
invisible roots plumb
empty sky
ii
[linguistic terrorism]
you can’t cancel organic fear
savage logos
in-formation / incarnation
a carousel of watchings
vagabond’s cant
encrypt teeth into my skin
screen
feral phrases
iii
[print bomber]
black year pixels
mass media pantheon
encryption the threat
of being riddled habitat
blind vigil
integral void
iv
[death artist]
the language of objects wounds
in vacuum from soliloquy
to figure null ciphers casting bones
in the shadow of death
inmates of creation
without referents, interlocked
always already awful
[ reads fully ways all ]
v
[isolation saboteur]
sleep aperture carbolic sleep
used to measure
levels locution
victim my made mind
“les bons libraires”
placing unidentified in grey
time warped in the sun
vi
[anamnesis]
cabal label, babel
the mute inside
the cuts bleed will
with a mouth full of ash
”no good. no bueno.”
insatiny
vii
[rogus artifex]
a sapio-stint rains noir
notions sip tar, helplessly
engaged repetitions of absence
finger combing gravel cataloging
the burden of godhood
set into chaos
viii
[effigies of my own mortality]
his body leaves
adoped code
in the shape of
v i o l e n c e
no-home hormone
strategic needing
her head on the crook
of his neck
deleted dream
ix
[COLONY OF TINY PAGANS]
anything that produces secret
langauage text-ure the leaden
age your clothing is woven
with asemic writing murdered
simply by appearing nihil est
x
[a/part]
so how does one utter nullity?
body loss of interior/exterior
SPACE SPACE SPACE
deletion deletion
SPACE
motions and contours between
somebody is combing my timeline
for poetry and it tickles
who are they, really?
i don’t know where the line is
written by @dialoghost
curated from twitter feed by @deja_raconte
#FeedPoetry is where I curate twitter timelines and arrange tweets into poems.
where you are old or just without a chaos for disbelief
this your children have lowered you out ofyou asked of your knight a truth this you have always
displeased others before/after your “unworthiness monologue”from un- prohibited out of a Prison
or abstain from corrupting the living (you are-12 days young or numb from everything
before/after outside a Prison
——————————————-
Elpmet eht edisni elihw
gnihton tlef dna dlo sraey 12saw I) daed eht rof smsitpab ni etapicitrap dna
Elpmet eht otni dewolla eb ot“weivretni ssenihtrow” ym gnirud flesym derusaelp
reven dah I taht eil eht pohsiB ym ot dlot Iotni em desiar dah stnerap ym taht
feileb fo metsys eht nihtiw llits dna gnuoy saw I nehw
“the World is the voice of my House, my House is the voice of my body, my body is the voice of the World,”
[repeat]
Edible “tramp stamps” that you can lick off, like a body rimmed with sugar or strawberry syrup. The tattoo of a willing tongue.
A willing tongue learns that it is not a tongue and salivates private climates to dissolve and permeate walls of crystalline desire / faceted demons focusing light to burn a Hole./ what does a nothing taste like?
Nothing tastes like the end of a flat earth, all that water has to go somewhere, washed clean or swept away. Sugared memories, demon bartenders set fire to cocktails with magnifiying glasses, I hold napkins tattooed with lipstick in the flame.
An Edible flame washed clean of a focusing syrup, like the end of a faceted body the earth set fire to tongues, all that salivating has a tattooed hold on somewhere, rimmed with nothing.
— with dialoghost
Imagine that your “poems”, the physical manifestations, are merely the coagulated, ‘dead’ state of the process of poetry; poetic behavior. Waste product to be incinerated or otherwise disposed of.
Imagine that poetry is not a thing that results from a process which needs to be shared, or read by another, but that it is rather the process itself.
Imagine that you do not need “poetry” from others to read, that this “need” for artificial poetry from external sources is manufactured and abhorrent,
that this “need” for other “poetry” or some economic exchange of “poems” is alienating everyone from daily poetic behavior, diminishing significant experience in the lives of many as it accumulates in the churches of the poets.
Imagine “poems” are dead, husks of poetic behavior, already metabolized, useless matter. That the poetry has already happened and ended. Kill the need to share it
imagine that “poetry” has been eating its own shit, and is dying.
Poems in mass graves. I want to be the Varg Vikernes of poetry.
you are only readable through a magnifying glass,
we play silly wars with focused sunlight
(the sun is trying to get at my shadow by burning me through)
we light a danger candle and fill the room with throbbing shadow,
you are its messenger; a conduit
i speak in thunderous Morse code
and superspeed collisions
there is nothing ‘inside’ a word
you compare my body to fruits and I lie quietly in an orchard, letting berries fall into my mouth
I taste smoke on you and your hair curls for me and after we fuck, I am sticky and sweet with condensed milk
I blush the colour of a flowering ginger plant, but I can’t dig my toes as deep in the soil as its root
I am bedded as garden with night blooming cactus standing guard
I walk naked into the sea at night as Venus transits, and expect you to follow
everyone has left after the party and it’s just you, pressing my wine glass to your lips where lipstick bruised it
I am alone in the dairy aisle with cold bare feet, remembering last season’s humidity and you sliding ice cubes inside me
I am adrift with anxiety and I pull my own hair, imagining it is you yoking me back into myself
I salt the bed and your memory and you still come back to me

![dialoghost:
[as the outer layer is rubbed off, patterns emerge]](http://25.media.tumblr.com/tumblr_m9mz5myTOr1qhbwcmo1_500.jpg)
![dialoghost:
[pid/gin]](http://25.media.tumblr.com/tumblr_m8ee1uLLyZ1qhbwcmo1_500.jpg)
